Netherlands
Marja Verhage
In my artwork there are many shapes that show an abstraction of Motion. I find it fascinating to reflect motion into something as immobile as stone. Motion can stand for many things: think of water, time, development, growth, rise and fall. By abstraction, with many dynamic aspects, I create often opposing movements. That duality I often apply into the material: the skin of the sculpture can be smooth and/or rough.
The many aspects around sculpting, including the hardness of the various types of stone and how to get a three-dimensional composition in such a piece of primordial matter, intrigues me. The main thing here is my fascination for and thinking in Shapes and Volumes. By chopping (sculpting) I create Shapes by which the stone becomes a Sculpture, Something. I recreate the stone into something new, that becomes shape in your hands, allowing the beauty and expressiveness and other special characteristics of the stone to become visible.
I prefer to work in the somewhat harder stones such as: Diabas, Marble, Bluestone, and Travertin. Sometimes I work also in the softer kinds of stone, and especially working in Alabaster gives (by its transparency) special effects.
The many aspects around sculpting, including the hardness of the various types of stone and how to get a three-dimensional composition in such a piece of primordial matter, intrigues me. The main thing here is my fascination for and thinking in Shapes and Volumes. By chopping (sculpting) I create Shapes by which the stone becomes a Sculpture, Something. I recreate the stone into something new, that becomes shape in your hands, allowing the beauty and expressiveness and other special characteristics of the stone to become visible.
I prefer to work in the somewhat harder stones such as: Diabas, Marble, Bluestone, and Travertin. Sometimes I work also in the softer kinds of stone, and especially working in Alabaster gives (by its transparency) special effects.